Head of Pro Audio Timo Wildenhain commented: “This solid version of SpectraLayers provides an affordable possibility for users to benefit from the powerful tools that only SpectraLayers has to offer.” With the feature set in Elements, users have everything required for critical repair and restoration work. SpectraLayers is known for its different approach to audio editing: audio is visualized in the spectral domain, allowing users to manipulate its spectral data in many different ways.Īlongside the Pro edition, SpectraLayers Elements 6 is now available, with a wide range of enhancement capabilities across two audio channels, at a maximum sample rate of 96 kHz. Steinberg today announced the immediate availability of SpectraLayers Elements 6, a streamlined version that comprises a simplified audio spectrum editing system with fewer tools, processing capabilities and parameters then the existing Pro edition. With their first update since buying this innovative spectral editing software, Steinberg have integrated it into ARA-compatible DAW programs.HAMBURG, Germany (PRWEB) February 05, 2020 Spectral editing is a powerful, if specialised, tool that has applications in audio restoration, creative sound design, vocal/instrument isolation and forensic audio analysis. As yet, though, it hasn't become a staple technique in mainstream music production. There are perhaps three main reasons for this. First, the most popular software choices operate as stand-alone editors, with limited DAW integration. Second, spectral editing is very different in nature from conventional waveform editing. Third, the available spectral editing software generally comes with a suitably specialist price tag. With the release of SpectraLayers Pro 6, Steinberg are beginning to tackle the first of these issues. One of the major new features of this release - Steinberg's first update since they acquired it from Magix - is support for the ARA2 plug-in protocol. If your DAW or audio editing host supports ARA2, as Steinberg's own Cubase Pro 10 and Nuendo 10 both do, you can now run SpectraLayers within that host as an ARA2 extension. This should help to integrate spectral editing more easily within a music-production context.

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